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Biography of Rainer Maria Rilke

Rainer Maria Rilke

Rainer Maria Rilke (1875 - 1926)


Writer and poet, considered one of the greatest lyric poets of modern Germany. Rilke created the 'object poem' attempting to describe with utmost clarity physical objects, the "silence of their concentrated reality." He became famous with such works as DUINESER ELEGIEN and DIE SONETTE AN ORPHEUS. They both appeared in 1923. After these books, Rilke had published his major works, believing that he had done his best as a writer.

"Works of art are indeed always products of having been in danger, of having gone to the very end in an experience, to where man can go no further." (from Letters)

Rainer Maria Rilke was born in Prague as the son of Josef Rilke, a railway official and the former Sophie Entz. A crucial fact in Rilke's life was that his mother called him Sophia. She forced him to wear girl's clothes until he was aged five - compensating for the earlier loss of a baby daughter. Rilke's parents separared when he was nine and his militarily inclined father sent him at ten to the military academies of St. Pölten and Mahrisch-Weisskirchenn. He suffered at the military academy, and was sent to a business school in Linz. He also worked in his uncle's law firm. Rilke continued his studies at the universities of Prague, Munich, and Berlin.

As a poet Rilke made his debut at the age of nineteen with LEBEN UND LIEDER (1894), written in the conventional style of Heinrich Heine. He met in Munich the Russian intellectual Lou Andreas-Salome, an older woman, who influenced him deeply. He travelled with her and her husband in Russia in 1899, visiting among others Leo Tolstoy. Rilke was deeply impressed by what he learned of Russian mysticism. During this period he started to write The Book of Hours: The Book of Monastic Life, which appeared in 1905. He spent some time in Italy, Sweden and Denmark, and joined an artists' colony at Worpswede in 1903.

In 1901 Rilke married the young sculptress, Klara Westhoff, one of Auguste Rodin's pupils. They had a daughter, Ruth, but marriage lasted only one year. During this period composed the second part of The Book of Hours. After he separated from Klara, he settled in Paris to write a book about Rodin and to work for his secretary (1905-06). Overworked poet left Rodin abruptly in the Spring of 1906. He revised DAS BUCH DER BILDER and published it in an enlarged edition. He also wrote The Tale of the Love and Death of Cornet Christopher Rilke, which became a great popular success.

During his Paris years Rilke developed a new style of lyrical poetry. After NEUE GEDIGHTE in (1907-08, New Poems) he wrote a notebook named DIE AUFZECHNUNGEN DES MALTE LAURIDS BRIGGE (1910), his most important prose work. It took the form of a series of semiautobiographical spiritual confessions but written by a Danish expatriate in Paris. Rilke's "thing-poems" (Dinggedichte) were not about dead objects, but in his writing they came alive - in 'Archaic Torso of Apollo' (from New Poems, 1908) the ancient statue discovered at Miletus is "stuffed with brilliance from inside" and "gleams in all its power".

Rilke kept silence as a poet for twelve years before writing Duino Elegies and Sonnets to Orpheus, which are concerned with 'the identity of terror and bliss' and 'the oneness of life and death'. Duino Elegies was born in two bursts of inspiration separated by ten years. In 1910-1912 Rilke was for some time the guest of Princess Marie von Thurn und Taxis-Hohenlohe at Duino, her castle near Trieste. According to a story, Rilke heard in the wind the first lines of his elegies when he was walking on the rocks above the sea - "Who, if I cried out, would hear me among the angels' / hierarchies?"

In 1913 Rilke returned to Paris but he was forced to return to Germany because of the First World War. Duino Castle was bombarded to ruins and Rilke's personal property was confiscated in France. He served in the Austrian army and found another patron, Werner Reinhart, who owned the Castle Muzot at Valais. After 1919 he lived in Switzerland, where he died on December 29, in 1926. He had suffered from leukemia, and died of an infection he contracted when he pricked himself on a rose thorn.

Important part of Rilke's writings are his letters (to Marina Tsvetaeva, Auguste Rodin, André Gide, H.v.Hofmannstahl, B.Pasternak, Stefan Zweig etc.), which have been published posthumously in different collections. Rilke's sense of alienation was summed up in his words that it is our 'fate to be opposite and nothing else, and always opposite'. In his early works he imported mystical elements in his poetry, but later Rilke dealt more with the role of an artist, who must "speak and bear witness." "Praise this world to the angel, not the unsayable one; you can't impress him with glorious emotion; in the universe where he feels more powerful, you are a novice. Show him something simple which, formed over generations, / lives as our own, near our hand and within our gaze." (from 'The Ninth Elegy')


Biography by: Petri Liukkonen


104 Poems written by Rainer Maria Rilke

The poems are by default sorted according to volume, but you can also choose to sort them alphabetically or by page views.

Volume | Alphabetically | Page Views | Comments | [First Lines]


First LineComments
(Capri, Piccola Marina)
(From the diaries of Malte Laurids Brigge)
Four Translations
A ghost, though invisible, still is like a place Comments and analysis of Black Cat by Rainer Maria Rilke 1 Comment
A tree ascended there. Oh pure transendence!
Again and again, however we know the landscape of love Comments and analysis of Again And Again, However We Know The Landscape Of Love by Rainer Maria Rilke 2 Comments
Ah, but the City of Pain: how strange its streets are:
All this stood upon her and was the world Comments and analysis of The Grown-Up by Rainer Maria Rilke 2 Comments
Along the sun-drenched roadside, from the great
And night and distant rumbling; now the army's Comments and analysis of The Last Evening by Rainer Maria Rilke 1 Comment
And you wait, keep waiting for that one thing
As in one's hand a lighted match blinds you before Comments and analysis of Spanish Dancer by Rainer Maria Rilke 1 Comment
As in sleeping-drink spices
As once the winged energy of delight
Be ahead of all parting, as though it already were Comments and analysis of The Sonnets To Orpheus: Book 2: XIII by Rainer Maria Rilke 1 Comment
Being apart and lonely is like rain.
Breathing: you invisible poem! Complete
But you now, dear girl, whom I loved like a flower whose
Call to me to the one among your moments
Come let us watch the sun go down Comments and analysis of The Apple Orchard by Rainer Maria Rilke 1 Comment
Come thou, thou last one, whom I recognize,
Do you remember still the falling stars
Encircled by her arms as by a shell,
Ever since those wondrous days of Creation
Exposed on the cliffs of the heart. Look, how tiny down
Extinguish Thou my eyes:I still can see Thee,
Harshness vanished. A sudden softness
He felt the entrance's green darkness
Herr: es ist Zeit. Der Sommer war sehr groß.
High above he stands, beside the many
His vision, from the constantly passing bars, Comments and analysis of The Panther by Rainer Maria Rilke 5 Comments
How can I keep my soul in me, so that
How I have felt that thing that's called 'to part',
How my body blooms from every vein
I am always going from door to door,
I am blind, you out there -- that is a curse,
I am like a flag in the center of open space. Comments and analysis of Sense Of Something Coming by Rainer Maria Rilke 2 Comments
I am no one and never will be anyone,
I have great faith in all things not yet spoken.
I held myself too open, I forgot
I would like to sing someone to sleep,
Ignorant before the heavens of my life,
In some summers there is so much fruit,
In the beginning life was good to me;
In the years when we were
Interior of the hand. Sole that has come to walk
It is life in slow motion,
It would be good to give much thought, before
Look how she stands, high on the steep facade
Look how the same possibilities
Losing too is still ours; and even forgetting Comments and analysis of For Hans Carossa by Rainer Maria Rilke 1 Comment
Music: breathing of statues. Perhaps: Comments and analysis of To Music by Rainer Maria Rilke 2 Comments
My eyes already touch the sunny hill. Comments and analysis of A Walk by Rainer Maria Rilke 2 Comments
My whole life is mine, but whoever says so Comments and analysis of Water Lily by Rainer Maria Rilke 2 Comments
Night. O you whose countenance, dissolved
O hour of my muse: why do you leave me, Comments and analysis of The Poet by Rainer Maria Rilke 1 Comment
O how all things are far removed
O trees of life, oh, what when winter comes?
O you tender ones, walk now and then
Only mouths are we. Who sings the distant heart
Ornamental clouds
Other vessels hold wine, other vessels hold oil
Perhaps it's no more than the fire's reflection
Rose, you majesty-once, to the ancients, you were
See how in their veins all becomes spirit;
She sat just like the others at the table.
She who did not come, wasn't she determined
Slowly the west reaches for clothes of new colors Comments and analysis of Sunset by Rainer Maria Rilke 1 Comment
Some day, if I should ever lose you,
Sometimes she walks through the village in her
Strange violin, why do you follow me?
Suddenly she steps, wrapped into the wind,
Suddenly, from all the green around you,
Swing of the heart. O firmly hung, fastened on what
Take me by the hand;
Telling you all would take too long.
That is my window. Just now
That some day, emerging at last from the terrifying vision
The deep parts of my life pour onward, Comments and analysis of Moving Forward by Rainer Maria Rilke 1 Comment
The future: time's excuse
The rich and fortunate do well to keep silent,
The saintly hermit, midway through his prayers
The sky puts on the darkening blue coat
The steadfastness of generations of nobility
The summer hums. The afternoon fatigues;
They are assembled, astonished and disturbed Comments and analysis of The Last Supper by Rainer Maria Rilke 1 Comment
This laboring through what is still undone, Comments and analysis of The Swan by Rainer Maria Rilke 1 Comment
This night, agitated by the growing storm,
Though the world keeps changing its form
We cannot know his legendary head Comments and analysis of Archaic Torso Of Apollo by Rainer Maria Rilke 1 Comment
We lack all knowledge of this parting. Death
What birds plunge through is not the intimate space,
What fields are as fragrant as your hands?
What I have already learned as a lover,
Who says that all must vanish?
Who, if I cried out, would hear me among the angels' Comments and analysis of Duino Elegies: The First Elegy by Rainer Maria Rilke 1 Comment
Whoever now weeps somewhere in the world, Comments and analysis of Solemn Hour by Rainer Maria Rilke 1 Comment
Whom will you cry to, heart? More and more lonely,
Windows pampered like princes always see
World was in the face of the beloved--,
You don't survive in me Comments and analysis of Interior Portrait by Rainer Maria Rilke 1 Comment
You who are close to my heart always,
You who never arrived Comments and analysis of You Who Never Arrived by Rainer Maria Rilke 5 Comments
You, you only, exist.


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