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Philip Larkin - The Building

Higher than the handsomest hotel
The lucent comb shows up for miles, but see,
All round it close-ribbed streets rise and fall
Like a great sigh out of the last century.
The porters are scruffy; what keep drawing up
At the entrance are not taxis; and in the hall
As well as creepers hangs a frightening smell.

There are paperbacks, and tea at so much a cup,
Like an airport lounge, but those who tamely sit
On rows of steel chairs turning the ripped mags
Haven't come far. More like a local bus.
These outdoor clothes and half-filled shopping-bags
And faces restless and resigned, although
Every few minutes comes a kind of nurse

To fetch someone away: the rest refit
Cups back to saucers, cough, or glance below
Seats for dropped gloves or cards. Humans, caught
On ground curiously neutral, homes and names
Suddenly in abeyance; some are young,
Some old, but most at that vague age that claims
The end of choice, the last of hope; and all

Here to confess that something has gone wrong.
It must be error of a serious sort,
For see how many floors it needs, how tall
It's grown by now, and how much money goes
In trying to correct it. See the time,
Half-past eleven on a working day,
And these picked out of it; see, as they c1imb

To their appointed levels, how their eyes
Go to each other, guessing; on the way
Someone's wheeled past, in washed-to-rags ward clothes:
They see him, too. They're quiet. To realise
This new thing held in common makes them quiet,
For past these doors are rooms, and rooms past those,
And more rooms yet, each one further off

And harder to return from; and who knows
Which he will see, and when? For the moment, wait,
Look down at the yard. Outside seems old enough:
Red brick, lagged pipes, and someone walking by it
Out to the car park, free. Then, past the gate,
Traffic; a locked church; short terraced streets
Where kids chalk games, and girls with hair-dos fetch

Their separates from the cleaners - O world,
Your loves, your chances, are beyond the stretch
Of any hand from here! And so, unreal
A touching dream to which we all are lulled
But wake from separately. In it, conceits
And self-protecting ignorance congeal
To carry life, collapsing only when

Called to these corridors (for now once more
The nurse beckons -). Each gets up and goes
At last. Some will be out by lunch, or four;
Others, not knowing it, have come to join
The unseen congregations whose white rows
Lie set apart above - women, men;
Old, young; crude facets of the only coin

This place accepts. All know they are going to die.
Not yet, perhaps not here, but in the end,
And somewhere like this. That is what it means,
This clean-sliced cliff; a struggle to transcend
The thought of dying, for unless its powers
Outbuild cathedrals nothing contravenes
The coming dark, though crowds each evening try

With wasteful, weak, propitiatory flowers.

Added: on October 4th, 2005 at 12:55 PM | Viewed: 6249 times | Comments (4)


The Building - Comments and Information

Poet: Philip Larkin
Poem: The Building
Volume: High Windows
Year: Published/Written in 1972
Poem of the Day on:
Jan 2 2005

Comment 4 of 4, added on December 13th, 2005 at 5:04 AM.

the building is not real

ernoult from United Kingdom
Comment 3 of 4, added on October 7th, 2005 at 9:04 AM.

Anna, I think 'clean-sliced cliff' is purely descriptive. 'The Building' is Hull Royal Infirmary and as Larkin first describes it 'Higher than the handsomest hotel / The lucent comb shows up for miles.' It is a '60s built building and is 13 stories high and a really dominant landmark when you are approaching Hull.

'Clean-sliced cliff' describes how it stands separate, cut-off from all the buildings around it and as high as a cliff (sadly, over the years, a few people have leapt to their death from some of the higher floors).

I have worked in it as a nurse for over 20 years now, and still think of it as Larkin sees it, as well as my own more mundane workaday view of it!



mark from United Kingdom
Comment 2 of 4, added on October 4th, 2005 at 12:55 PM.

Basically I think the 'clean-sliced cliff' represents death and these people are standing on the top of it, trying not to think about death (a struggle to transcend the thought of dying) but that's all they can think about. Really I just think the cliff is representative of how scared these patients are... if that helps at all.

Lauren from United Kingdom

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