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Poet: Philip Larkin
Poem: MCMXIV
Volume: The Whitsun Weddings
Year: Published/Written in 1960
Comment 4 of 4, added on November 1st, 2005 at 12:06 PM.
the reality of being written and published in 1960 is poignant in comparison to the vast majority of WWI poetry written in the trenches that include often graphic representations of the reality of warfare, an aspect that Larkin could not have fully related. this so called 'aftermath poem' deals with the effects of war and not with the actualities of war as exhibited by poets such as sassoon and owen.
Marv from United Kingdom
Comment 3 of 4, added on September 20th, 2005 at 1:13 PM.
The "dark clothed children" at face value, is only a reference to the fact that dye was not a very commonly used thing back in the early 1900s, if at all. In fact it was not until the 1940s that dye became a popular thing amongst clothing.
Nicole from United Kingdom
Comment 2 of 4, added on August 11th, 2005 at 4:07 AM.
The final line of this poem; 'never such innocence again' refects the pre-war victorian society's romantic views towards death. Before the war young men were encouraged to think of fighting as heroic, reminiscent of greek myths and fairytales. They had no idea about the suffering and trauma that would actually occur. In public schools at the time boys were taught about being 'a good sport' and doing glorious things for your country. I think this is what Larkin is referring to when he says the men were waiting as if outside 'the Oval or Villa Park'. No past experience can actually prepare then for the war but to them it must have seemed like a team effort, trying to win a victory for England as one might in cricket or football. This idea also highlights their innocence and makes this poem very poignant.
the 'moment in time' style of this poem captures how never after such terrible suffering will men be so keen or so unaware as they were in 1914. Larkin leaves this as open-ended. Is this innocence good or bad? it is up to the reader to decide.
Fleur from United Kingdom
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the reality of being written and published in 1960 is poignant in comparison to the vast majority of WWI poetry written in the trenches that include often graphic representations of the reality of warfare, an aspect that Larkin could not have fully related. this so called 'aftermath poem' deals with the effects of war and not with the actualities of war as exhibited by poets such as sassoon and owen.
Marv from United Kingdom