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Poet: John Betjeman
Poem: Death In Leamington
Comment 5 of 5, added on October 10th, 2009 at 5:28 PM.
I'm not quite sure how the theory of schema that Carl draws on differs from analysis of symbols, but he does make interesting points about the use of light in the poem and of the life=day symbolism. However, I tend to agree with Dan's comment. I particularly like the appropriately inappropriate jauntiness of the poem's metre and the (rather cruel) satire of "Chintzy, chintzy cheeriness,/Hald dead and half alive."
I'm a bit puzzled about the final line, though: "Turned down the gass in the hall". My thoughts on this are, why is this turned down and the gas still left on in the upstairs bedroom? Is it some sort of mark of respect (echoing the snuffing out of the old lady's life?) or an economy measure? Does "turn down" mean that some light was left on or is it equivalent to what in modern English would be "turn off"? But it's a terrifically executed poem.
Peter Keeble from United Kingdom
Comment 4 of 5, added on July 27th, 2006 at 7:13 PM.
Love reading the comments posted! To respond about illustrations with poems--I don't think they limit at all. Blake's illustrations add dimensions to his work that I enjoy viewing. They give the texture to explore meaning/symbolism. I wish textbooks at the secondary level included more illustrations that poets have done to accompany their work. Poets use the illustrations for a reason.
As for the poem, when people are caught in their own world, they miss observation. Ironic that the nurse did not figure out her patient was dead. The poem makes me think of "being IN the moment"--being mindful of the present. Ever watch how many people "yak" on a cell phone when they are with their friends? on a bus? at events? The cell phone becomes like the "nurse" because there is no listening to Nature, to friends that are there, or, worse, no observation of the little things that are taking place.
As for reading poetry--everyone has their own approach. I took me years to really enjoy poetry because of the way it was taught. When I discovered it for myself--bliss. If I want to learn more about poetry, I search the Net, go to resources, etc. If I just want to enjoy the words, I do.
dallas from United States
Comment 3 of 5, added on June 29th, 2006 at 4:05 PM.
Instead of immersing ourselves in pretention, which is the very thing that the great Betjeman delivered us from, why don't we just celebrate the poem's bourgeoise tone, dark humour and grim honesty that death comes and we have to deal with it?
Dan from United Kingdom
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I'm not quite sure how the theory of schema that Carl draws on differs from analysis of symbols, but he does make interesting points about the use of light in the poem and of the life=day symbolism. However, I tend to agree with Dan's comment. I particularly like the appropriately inappropriate jauntiness of the poem's metre and the (rather cruel) satire of "Chintzy, chintzy cheeriness,/Hald dead and half alive."
I'm a bit puzzled about the final line, though: "Turned down the gass in the hall". My thoughts on this are, why is this turned down and the gas still left on in the upstairs bedroom? Is it some sort of mark of respect (echoing the snuffing out of the old lady's life?) or an economy measure? Does "turn down" mean that some light was left on or is it equivalent to what in modern English would be "turn off"? But it's a terrifically executed poem.
Peter Keeble from United Kingdom