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Today, on July 24th, 2008, the site contains 193 poets, 8,680 poems and 4,536 comments.
John Betjeman - Death In Leamington

She died in the upstairs bedroom
By the light of the ev'ning star
That shone through the plate glass window
From over Leamington Spa

Beside her the lonely crochet
Lay patiently and unstirred,
But the fingers that would have work'd it
Were dead as the spoken word.

And Nurse came in with the tea-things
Breast high 'mid the stands and chairs-
But Nurse was alone with her own little soul,
And the things were alone with theirs.

She bolted the big round window,
She let the blinds unroll,
She set a match to the mantle,
She covered the fire with coal.

And "Tea!" she said in a tiny voice
"Wake up! It's nearly five"
Oh! Chintzy, chintzy cheeriness,
Half dead and half alive.

Do you know that the stucco is peeling?
Do you know that the heart will stop?
From those yellow Italianate arches
Do you hear the plaster drop?

Nurse looked at the silent bedstead,
At the gray, decaying face,
As the calm of a Leamington ev'ning
Drifted into the place.

She moved the table of bottles
Away from the bed to the wall;
And tiptoeing gently over the stairs
Turned down the gas in the hall. 

Credit: Reprinted with the permission of John Murray (Publishers) Ltd

Added: on October 18th, 2005 at 8:55 AM | Viewed: 3662 times | Comments (4)


Death In Leamington - Comments and Information

Poet: John Betjeman
Poem: Death In Leamington

Comment 4 of 4, added on July 27th, 2006 at 7:13 PM.

Love reading the comments posted! To respond about illustrations with poems--I don't think they limit at all. Blake's illustrations add dimensions to his work that I enjoy viewing. They give the texture to explore meaning/symbolism. I wish textbooks at the secondary level included more illustrations that poets have done to accompany their work. Poets use the illustrations for a reason.
As for the poem, when people are caught in their own world, they miss observation. Ironic that the nurse did not figure out her patient was dead. The poem makes me think of "being IN the moment"--being mindful of the present. Ever watch how many people "yak" on a cell phone when they are with their friends? on a bus? at events? The cell phone becomes like the "nurse" because there is no listening to Nature, to friends that are there, or, worse, no observation of the little things that are taking place.
As for reading poetry--everyone has their own approach. I took me years to really enjoy poetry because of the way it was taught. When I discovered it for myself--bliss. If I want to learn more about poetry, I search the Net, go to resources, etc. If I just want to enjoy the words, I do.


dallas from United States
Comment 3 of 4, added on June 29th, 2006 at 4:05 PM.

Instead of immersing ourselves in pretention, which is the very thing that the great Betjeman delivered us from, why don't we just celebrate the poem's bourgeoise tone, dark humour and grim honesty that death comes and we have to deal with it?

Dan from United Kingdom
Comment 2 of 4, added on October 18th, 2005 at 8:55 AM.

Dear Carl, i found your discussion of schema theory very interesting. Im currently writing a dissertation on how imagery works in poetry, specifically looking at William Blake. I'm particularly fascinated with how imagery in literature functions differently to that in art, in the mind of the reader. Presumably the cognitive process involved in relating one schema to another, works in the same way with pictorial metaphores and imagery, as in blake? What i find interesting, is how schema theory functions when an illustration is coupled with a poem, and how the mind processes the conflicting structures of the pictorial and textual schemas. Ultimately im assessing the issue of whether blake's artwork is a hinderence to the imagination, i.e imposes authorial interpretation and prevents the reader from forming their own ideas. Do you or anyone else have any thoughts on this?

Lizzie from United Kingdom

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