|
Those moments, tasted once and never done,
Of long surf breaking in the mid-day sun.
A far-off blow-hole booming like a gun-
The seagulls plane and circle out of sight
Below this thirsty, thrift-encrusted height,
The veined sea-campion buds burst into white
And gorse turns tawny orange, seen beside
Pale drifts of primroses cascading wide
To where the slate falls sheer into the tide.
More than in gardened Surrey, nature spills
A wealth of heather, kidney-vetch and squills
Over these long-defended Cornish hills.
A gun-emplacement of the latest war
Looks older than the hill fort built before
Saxon or Norman headed for the shore.
And in the shadowless, unclouded glare
Deep blue above us fades to whiteness where
A misty sea-line meets the wash of air.
Nut-smell of gorse and honey-smell of ling
Waft out to sea the freshness of the spring
On sunny shallows, green and whispering.
The wideness which the lark-song gives the sky
Shrinks at the clang of sea-birds sailing by
Whose notes are tuned to days when seas are high.
From today's calm, the lane's enclosing green
Leads inland to a usual Cornish scene-
Slate cottages with sycamore between,
Small fields and tellymasts and wires and poles
With, as the everlasting ocean rolls,
Two chapels built for half a hundred souls.
Credit: Reprinted with the permission of John Murray (Publishers) Ltd
|
The sixth stanza of "Cornish Cliffs" is inscribed in a circle around the statue of Betjeman in St. Pancras Station, London. In that context the lines point to view through the amazing glass roof of the station. The statue shows the poet looking up and holding his hat. He carries a brief case as if on the way to catch a train he has tarried to admire the view. Betjeman used his celebrity to preserve St. Pancras station.
J. T. Martin from United States