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Today, on February 9th, 2010, the site contains 196 poets, 8,692 poems and 8,017 comments.
Elizabeth Bishop - Sestina

September rain falls on the house.
In the failing light, the old grandmother
sits in the kitchen with the child
beside the Little Marvel Stove,
reading the jokes from the almanac,
laughing and talking to hide her tears.
 
She thinks that her equinoctial tears
and the rain that beats on the roof of the house 
were both foretold by the almanac,
but only known to a grandmother.
The iron kettle sings on the stove.
She cuts some bread and says to the child,
 
It's time for tea now; but the child
is watching the teakettle's small hard tears
dance like mad on the hot black stove,
the way the rain must dance on the house.
Tidying up, the old grandmother
hangs up the clever almanac
 
on its string. Birdlike, the almanac
hovers half open above the child,
hovers above the old grandmother
and her teacup full of dark brown tears.
She shivers and says she thinks the house
feels chilly, and puts more wood in the stove.
 
It was to be, says the Marvel Stove.
I know what I know, says the almanac.
With crayons the child draws a rigid house
and a winding pathway. Then the child
puts in a man with buttons like tears
and shows it proudly to the grandmother.
 
But secretly, while the grandmother
busies herself about the stove,
the little moons fall down like tears
from between the pages of the almanac
into the flower bed the child
has carefully placed in the front of the house.
 
Time to plant tears, says the almanac.
The grandmother sings to the marvelous stove
and the child draws another inscrutable house.

Added: on May 6th, 2009 at 11:23 PM | Viewed: 41293 times | Comments (20)


Sestina - Comments and Information

Poet: Elizabeth Bishop
Poem: Sestina
Volume: Questions of Travel
Year: Published/Written in 1955
Poem of the Day on:
Jan 28 2005

Comment 20 of 20, added on November 23rd, 2009 at 6:17 PM.
To Ruth

I don't think anyone was really that harsh to Kathreen, what she said and the way she said it was a little.. pushy, in some ways, and most of what she said had absolutely nothing to do with the poem, therefore, it isn't needed or wanted on a page that is supposed to be about this poem.
People are allowed to write whatever they want, but if everyone spouted their religious beliefs on any website they wanted to, I think a lot of people would get upset.
I don't want to hear about your religious ideas, even if they are the same as mine, and I'm not going to blab about my religious ideas especially if they are irrelevant.

Julia from United States
Comment 19 of 20, added on November 23rd, 2009 at 6:01 PM.
This poem

I agree, there is no ONE correct way to analyze a poem, but there are wrong ways. For example, this poem has nothing to do with Jesus, or balloons. You could try to make extreme leaps to get there, but the poet doesn't allow you to make those connections within the poem.
Just like I think that his poem probably has very little do with any kind of organized religion, because the poet doesn't give any opportunity to examine it that way.
And to one of the people who posted before me, I don't think analyzations is a word.


Julia from United States
Comment 18 of 20, added on May 6th, 2009 at 11:23 PM.

To me, this also has to deal with the passing of a person. The fact that the grandmother has equinoctial tears, and more importantly those of the September Equinox (leading into winter) is key to reading into this poem. The equinox represents the transition of the sun to the other side of the planet. Here it is passing away from the persona because it is become winter. It is getting colder, tears are coming on. This obviously (and obviously simply my opinion) has to do with the death of someone, probably the man in the picture with Tears as buttons. The grandmother must be strong for the boy, and bare the pain for both because the boy can't understand what has really happened. I also agree with previous comments about the stove being something "immortal". And also the almanac being the all-knowing figure. It's a beautiful poem, and she has taken the form of the sestina and executed it so gracefully that it is in no way distracting from the repetition. Wonderful, bitter-sweet work of literature.

RCB_UNO from United States

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