Analysis and comments on Leda And The Swan by William Butler Yeats
|
Comment 1 of 1, added on November 15th, 2005 at 11:19 PM.
It's not my comment but better not to have any comment for this poet:)
Like "The Second Coming," "Leda and the Swan" describes a moment that represented a change of era in Yeats's historical model of gyres, which he offers in A Vision, his mystical theory of the universe. But where "The Second Coming" represents (in Yeats's conception) the end of modern history, "Leda and the Swan" represents something like its beginning; as Yeats understands it, the "history" of Leda is that, raped by the god Zeus in the form of a swan, she laid eggs, which hatched into Clytemnestra and Helen and the war-gods Castor and Polydeuces--and thereby brought about the Trojan War ("The broken wall, the burning roof and tower, / And Agamemnon dead"). The details of the story of the Trojan War are quite elaborate: briefly, the Greek Helen, the most beautiful woman in the world, was kidnapped by the Trojans, so the Greeks besieged the city of Troy; after the war, Clytemnestra, the wife of the Greek leader Agamemnon, had her husband murdered. Here, however, it is important to know only the war's lasting impact: it brought about the end of the ancient mythological era and the birth of modern history.
Also like "The Second Coming," "Leda and the Swan" is valuable more for its powerful and evocative language--which manages to imagine vividly such a bizarre phenomenon as a girl's rape by a massive swan--than for its place in Yeats's occult history of the world. As an aesthetic experience, the sonnet is remarkable; Yeats combines words indicating powerful action (sudden blow, beating, staggering, beating, shudder, mastered, burning, mastered) with adjectives and descriptive words that indicate Leda's weakness and helplessness (caressed, helpless, terrified, vague, loosening), thus increasing the sensory impact of the poem.
Fikret from Turkey
|
Add Comment
|
Do you have any comments, criticism, paraphrasis or analysis of this poem that you feel would assist other visitors in understanding this poem better? If they are accepted, they will be added to this page of Poetry Connection. Together we can build a wealth of information, but it will take some discipline and determination.
Do not post questions, pleas for homework help or anything of the sort, as these types of comments will be removed. The proper place for questions is the poetry forum. Also, please do not post any links what so ever.
Please note that after you post a comment, it can take up to an hour before it is visible on the website! Rest assured that your comment is not lost, so don't enter your comment again.
|
|
|
It's not my comment but better not to have any comment for this poet:)
Like "The Second Coming," "Leda and the Swan" describes a moment that represented a change of era in Yeats's historical model of gyres, which he offers in A Vision, his mystical theory of the universe. But where "The Second Coming" represents (in Yeats's conception) the end of modern history, "Leda and the Swan" represents something like its beginning; as Yeats understands it, the "history" of Leda is that, raped by the god Zeus in the form of a swan, she laid eggs, which hatched into Clytemnestra and Helen and the war-gods Castor and Polydeuces--and thereby brought about the Trojan War ("The broken wall, the burning roof and tower, / And Agamemnon dead"). The details of the story of the Trojan War are quite elaborate: briefly, the Greek Helen, the most beautiful woman in the world, was kidnapped by the Trojans, so the Greeks besieged the city of Troy; after the war, Clytemnestra, the wife of the Greek leader Agamemnon, had her husband murdered. Here, however, it is important to know only the war's lasting impact: it brought about the end of the ancient mythological era and the birth of modern history.
Also like "The Second Coming," "Leda and the Swan" is valuable more for its powerful and evocative language--which manages to imagine vividly such a bizarre phenomenon as a girl's rape by a massive swan--than for its place in Yeats's occult history of the world. As an aesthetic experience, the sonnet is remarkable; Yeats combines words indicating powerful action (sudden blow, beating, staggering, beating, shudder, mastered, burning, mastered) with adjectives and descriptive words that indicate Leda's weakness and helplessness (caressed, helpless, terrified, vague, loosening), thus increasing the sensory impact of the poem.
Fikret from Turkey