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Seamus Heaney - The Grauballe Man

As if he had been poured
in tar, he lies
on a pillow of turf
and seems to weep

the black river of himself.
The grain of his wrists
is like bog oak,
the ball of his heel

like a basalt egg.
His instep has shrunk
cold as a swan’s foot
or a wet swamp root.

His hips are the ridge
and purse of a mussel,
his spine an eel arrested
under a glisten of mud.

The head lifts,
the chin is a visor
raised above the vent
of his slashed throat

that has tanned and toughened.
The cured wound
opens inwards to a dark
elderberry place.

Who will say ‘corpse’
to his vivid cast?
Who will say ‘body’
to his opaque repose?

And his rusted hair,
a mat unlikely
as a foetus’s.
I first saw his twisted face

in a photograph,
a head and shoulder
out of the peat,
bruised like a forceps baby,

but now he lies
perfected in my memory,
down to the red horn
of his nails,

hung in the scales
with beauty and atrocity:
with the Dying Gaul
too strictly compassed

on his shield,
with the actual weight
of each hooded victim,
slashed and dumped. 

Added: on April 19th, 2006 at 11:13 PM | Viewed: 2484 times | Comments (2)


The Grauballe Man - Comments and Information

Poet: Seamus Heaney
Poem: The Grauballe Man

Comment 2 of 2, added on June 3rd, 2006 at 8:59 PM.

Simple and well-written, The Graballe Man is a mixture of history with loads of nice sound words to make the poem amazing to read and follow!

Kashfi from Bangladesh
Comment 1 of 2, added on April 19th, 2006 at 11:13 PM.

I am facinated by Heaney's usage of violence in this poem. He presents both the ideas of history and art in this poem with simple words such as "corpse" and "cast." While I personally liked the Tollund Man better either one could easily be linked to his poem "digging."

Christina from United States

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