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Mary Oliver - Two Kinds of Deliverance

1

Last night the geese came back, 
slanting fast
from the blossom of the rising moon down
to the black pond. A muskrat
swimming in the twilight saw them and hurried

to the secret lodges to tell everyone
spring had come.

And so it had.
By morning when I went out 
the last of the ice had disappeared, blackbirds
sang on the shores. Every year
the geese, returning, 
do this, I don’t 
know how.


2

The curtains opened and there was
an old man in a headdress of feathers, 
leather leggings and a vest made 
from the skin of some animal. He danced

in a kind of surly rapture, and the trees
in the fields far away
began to mutter and suck up their long roots.
Slowly they advanced until they stood
pressed to the schoolhouse windows.


3

I don’t know
lots of things but I know this: next year
when spring
flows over the starting point I’ll think I’m going to
drown in the shimmering miles of it and then
one or two birds will fly me over
the threshold.

As for the pain
of others, of course it tries to be
abstract, but then

there flares up out of a vanished wilderness, like fire, 
still blistering: the wrinkled face
of an old Chippewa
smiling, hating us, 
dancing for his life. 

Added: on July 18th, 2006 at 11:09 PM | Viewed: 2203 times | Comments (1)


Two Kinds of Deliverance - Comments and Information

Poet: Mary Oliver
Poem: Two Kinds of Deliverance

Poem of the Day on:
Apr 14 2006

Comment 1 of 1, added on July 18th, 2006 at 11:09 PM.

I love the surprise in this poem--drawing back the curtain, and an old man with feathers is dancing. There is the rite of spring, and the rite of the Native American "smiling but hating us". The poem does justice to mention how the Native Americans once lived freely, and is now relegated to sanctioned lands and lore. Somehow, their "spirit" is revived with spring events. This poem has led me to read up on the Chippewa
history.

dallas from United States

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