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I used to imagine him
coming from his house, like Merlin
strolling with important gestures
through the garden
where everything grows so thickly,
where birds sing, little snakes lie
on the boughs, thinking of nothing
but their own good lives,
where petals float upward,
their colors exploding,
and trees open their moist
pages of thunder -
it has happened every summer for years.
But now I know more
about the great wheel of growth,
and decay, and rebirth,
and know my vision for a falsehood.
Now I see him coming from the house -
I see him on his knees,
cutting away the diseased, the superfluous,
coaxing the new,
know that the hour of fulfillment
is buried in years of patience -
yet willing to labor like that
on the mortal wheel.
Oh, what good it does the heart
to know it isn’t magic!
Like the human child I am
I rush to imitate -
I watch him as he bends
among the leaves and vines
to hook some weed or other;
I think of him there
raking and trimming, stirring up
those sheets of fire
between the smothering weights of earth,
the wild and shapeless air.
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Copyright © 2003-2008 Gunnar Bengtsson, Poetry Connection. All Rights Reserved.
Another amazing poem. To see "the man" and not just the public works of the man. The process of age and disease are slowly introduced, and Oliver manages to pay respects (I guess to someone she knew and cared about) in the most beautiful manner. I read that Kunitz had a 100 acre herb farm in Connecticut, which was destroyed when a tornado blew through it. The same article quoted him as saying, "one of the rituals of working the land is that I am celebrating a ritual of death and resurrection. Every spring I feel that. I am never closer to the miraculous than when I am grubbing in the soil."
dallas from United States