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The Limey


In association with Amazon.com


from: Lightyear


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Binding: Audio CD
EAN: 0085365435223
Format: Soundtrack
Label: Lightyear
Manufacturer: Lightyear
Number Of Discs: 1
Publisher: Lightyear
Release Date: October 19, 1999
Studio: Lightyear


Disc 1:
  1. Seeker - The Who
  2. King Midas in Reverse - The Hollies
  3. It Happens Each Day - The Byrds
  4. Smokin' - Boston
  5. Moog Symphony - Danny Saber
  6. Limey Shuffle - Danny Saber
  7. Sitar Bathroom - Danny Saber
  8. Limey Vibes - Danny Saber
  9. Sitar Song - Danny Saber
  10. Colours - Terence Stamp, Terry Stamp
  11. What He Gonna Say? - Cliff Martinez
  12. Ambush/Come With Us - Cliff Martinez
  13. After the Hammock - Cliff Martinez
  14. Stay There - Cliff Martinez
  15. Tell Me About Jenny - Cliff Martinez
  16. Wanna Take Me Out? - Michael Williams
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Editorial Review:

Amazon.com:
Modern film scores have increasingly drawn music from more than a single source or composer. But it's the rare soundtrack collection that manages to balance those elements with any credibility. In that regard, director Steven Soderbergh's The Limey may set a new standard. Countering a brief slate of '60s and '70s rock chestnuts (like the Who's "The Seeker," the Hollies' "King Midas in Reverse," the Byrds' "It Happens Each Day," and Boston's "Smokin'") are the score's real gems, from Black Grape founder Danny Saber and longtime Soderbergh collaborator Cliff Martinez. Saber's hip, club friendly "Party Sequence" tracks are modern mix heavy, if not overwrought, employing a smart brew of sampled beats, sinewy synth, nicked riffs, and jazzy bass and keys that simultaneously evoke any number of hipster eras. Providing the film's true musical personality is Martinez's orchestral work, as moody and minimalist as it is inventive, with brooding strings set against spare piano and unusual percussive effects. Like his contemporary Thomas Newman, Martinez has gradually reshaped the art of orchestral film scoring, suffusing its hoary traditions with fresh, tasteful studio technique and restless, determined sonic exploration. --Jerry McCulley



Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - Excellent use of the piano
Cliff Martinez made excellent use of the piano, invoking detective jazz stabs and Satie melancholy. Pianist Michael Williams (from the group 1 40 4 20, jazz albums "Wet" and "Jazz Trespassers") plays most expressively. The two have worked together before on "King of the Hill" with great success. Cliff's unexpected harmonies defy traditional voice leading to give a more ambivalent emotional tone for the director's handiwork. Martinez seems to understand music is abstract, while film rarely is.



Rating: 5 out of 5 stars - Unexpected Bliss
Most of the time, when I watch a movie, the soundtrack or score is done well enough that it blends into the movie, doing its job, padding certain scenes and adding drama or humor or whatever the intention is. But, sometimes, a soundtrack goes well beyond just being a "part" of a movie. The soundtrack and the score to the Limey succeeds in doing just that. If ever a musician, such as Cliff Martinez, in this case, has better captured a character's emotion and translated directly into music as beautifully ... Read More



Rating: 4 out of 5 stars - Just the right blend
I am, concededly, neither a musician nor any sort of expert in the field. I do fancy myself to have an appreciation of soundtracks. As is common with many films, this CD combines rock music with music composed specifically for the movie. It works. Indeed, the choice of, "The Seeker," as the title track for both the film and soundtrack is inspired, Terence Stamp's links with The Who notwithstanding.

I do wish that the full track-- or at least a clearer track-- of Terence Stamp's, "Colours," ... Read More



Rating: 5 out of 5 stars - An excellent combination of songs and score
Reflects the strengths of the film -- experimental, yet grounded in traditional styles. The Cliff Martinez tracks are among his best work. Ranks among the best of '99 alongside Angela's Ashes (Williams), House on Haunted Hill (Davis) and The Mummy (Goldsmith).




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Copyright © 2003-2009 Gunnar Bengtsson, Poetry Connection. All Rights Reserved.
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