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The Making of a Poem: A Norton Anthology of Poetic Forms


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from: W.W. Norton & Co.

List Price: $18.95
Amazon.com's Price: $12.89
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as of 11/23/2009 06:20 EST



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Binding: Paperback
Dewey Decimal Number: 821.008
EAN: 9780393321784
ISBN: 0393321789
Label: W.W. Norton & Co.
Manufacturer: W.W. Norton & Co.
Number Of Items: 1
Number Of Pages: 448
Publication Date: 2001-04
Publisher: W.W. Norton & Co.
Studio: W.W. Norton & Co.


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Editorial Review:

Amazon.com Review:
The Making of a Poem is among the best how-to-read-poetry titles. Edited by two of our greatest living poets, one Irish and female, the other American and male, it is both an exploration of poetic forms and an anthology. Eavan Boland and Mark Strand each offer an introduction and then give us a series of chapters devoted to particular verse forms--the sonnet, the ballad, the sestina, the villanelle, blank verse, the stanza--as well as a long section devoted to what they somewhat vaguely call shaping forms. This refers to poetic structures established not by a specific rhyme and/or metrical pattern but by content: the elegy, for example, or the pastoral or ode. The book then concludes with a section on open forms. Each chapter is conveniently subdivided, each topic simply defined: a single page gives "The Ballad at a Glance" (or, for that matter, the pantoum) as a quick overview of the form's structure. A page or two on the history of the form follows, along with a brief comment on "the contemporary context." Then a chronological anthology of poems demonstrates the particular form. In the sonnet's case, for instance, we are treated to 23 brilliantly chosen examples--everything from Shakespeare's "Shall I compare thee to a summer's day?" to Seamus Heaney's "The Haw Lantern" to Mary Jo Salter's playful "Half a Double Sonnet." The section then concludes with another brief analysis of one example. In this spot, the villanelle features Elizabeth Bishop's classic heartbreaker, "One Art," and blank verse gives us far too brief a take on Robert Frost's tantalizing "Directive." Itself worth the price of admission, the poem begins:
Back out of all this now too much for us,
Back in a time made simply by the loss
of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more than a house
Upon a farm that is no more than a farm
And in a town that is no more than a town.
One can readily see both the advantages and the limitations of such a format: definitions are kept lean, at times approaching the sound bite, and the short sentences and brief paragraphs often seem designed for a readership more accustomed to journalism than to the complexities of Dante (see, for example, the one-page history of the sestina). All of this looks like an attempt to reach an audience of both college students and general readers. While more information might help (brief comments on why certain poems in the anthology are defined as odes, pastorals, or elegies, for example), the bottom line is that The Making of a Poem does an excellent job of taking the inexperienced reader inside the mystery of poetic form. In these terms the volume succeeds, giving us a way into the history of poetry, along with an excellent anthology as a starting point for a deeper exploration of the glories of the genre. --Doug Thorpe

Product Description:
Two beloved and esteemed poets have collaborated on this intimate and useful anthology illuminating the history, practice, and wonder of our most elusive art. Intended for all those who love poetry, including teachers, readers, writers, and students, The Making of a Poem will be especially valued by those who feel that an understanding of form—sonnet, ballad, villanelle, sestina, etc.—would enhance their appreciation of poetry, but are daunted by the terms, the names, and the histories of various poetic forms. This anthology draws the reader in, by example and explanation, to the excitement and entertainment of these forms. It explains their origins, traces their development, and shows examples from the past and present. In a feature called "The form at a glance" the reader can try his or her own hand writing a particular form. Included are essays by each of the editors describing their own personal journeys toward a form for their poetic voice. Above all, this anthology shows that poetic form is a continuing adventure. Contemporary poets can be seen here trying out the same forms that poets used hundreds of years ago, but in the new circumstances of a complicated modern world. In this way poetic form is illustrated not as a series of rules, but as a passionate conversation in which every reader of poetry can become involved.



Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Made My Life Easier
Wish I had this book years ago. Perfectly arranged by type of poem with helpful "At a Glace" pages that quickly explains the form of the poem. For instance, "The Vinanelle at a Glance" lists six basics that form the Villanelle. This book is invaluable for a student or a lover of poetic form. It is complete with classic and contemporary poems. Of course, the book is a Norton Anthology - who always publish quality books.



Rating: 4 out of 5 stars - The Making of a Poem purchase
The product arrived in perfect condition within a matter of days. I would purchase from here again.



Rating: 5 out of 5 stars - Fascinating
Being fairly new to poetry, I purchased this book as an introduction to poetic forms, and it does not disappoint. The authors have cultivated a fantastic guide to many of the more popular forms of the modern era, and a few less popular forms. I found the chapters on the Villanelle and on Blank Verse to alone be worth the minimal price tag. The descriptions are terse but wholly concise. The choices the authors made for examples are so perfect that this book could work simply as an anthology of great ... Read More



Rating: 5 out of 5 stars - Norton Anthology of Poetry Forms
Excellent book. All the poetic forms analyzed according to form, historical developed, and their modern application. Each chapter offers many examples, again from the past for the present. A great aid for both literary aficionados and writers.



Rating: 1 out of 5 stars - Plenty of poems-very little instruction
If you are looking for teaching on the mechanics of different forms this book is about fives pages from being a door stop. Don't waste your money.

If all you need are examples of the different forms this is your book.




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Copyright © 2003-2009 Gunnar Bengtsson, Poetry Connection. All Rights Reserved.
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